Download Acting Characters: 16 Simple Steps From Rehearsal to by Paul Elsam PDF

By Paul Elsam

This a uncomplicated, no-nonsense consultant to learning, making plans and acting extra honest and practical characters on level. It describes sixteen simply steps designed to simplify Stanislavski's teachings, with sensible routines to enhance method. The booklet considers key components of communique and the features of human habit, and indicates how one can harness those habit kinds to sharpen abilities and wisdom by using physique, voice and speech. a personality Profile Sheet is helping you propose your personality as you increase your study. Boxed sections introduce new theories and ideas at a transparent, introductory point.

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Extra info for Acting Characters: 16 Simple Steps From Rehearsal to Performance

Example text

Now you come to mention it. The conversation takes a downward turn as, nursing her glass of orange juice, Rosemary launches an attack on a biscuit-munching Terry which pulls them both into child-to-child mode: ROSEMARY Niggle, niggle, niggle. You keep on at me the whole time. I’m frightened to open my mouth these days. I don’t know what’s got into you lately. You’re in a filthy mood from the moment you get up till you go to bed ... 30 01ACharacters 1/2/06 11:45 am Page 31 planning to act TERRY What are you talking about?

As part of the planning stage of acting, you should comb through your script to work out which types of power your character possesses. You can list these for quick reference in the Power section of your Character Profile Sheet. For an actor, awareness of power can really help to clarify why your character behaves the way he does, and why others allow him to do so. It can also help you to avoid stereotyping. ). Likewise, a character with apparent high social status – the ceremonial mayor of a town, for example – may in truth have very little influence over others.

Looking at the left-hand side of the ‘Personality’ section on the Character Profile Sheet, there seems little evidence of unstable behaviour, other that she can at times be talkative. g. g. g. g. cancelling the entertainers). As an actor preparing to play Natasha, you have reason to think of her as quite a neurotic person: perhaps a little more extrovert than introvert, but neurotic nonetheless. Such an analysis of a character’s personality can be a warning to you. If you play her simply as a neurotic ‘type’, you run the risk of being predictable.

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