Download Arab Filmmakers of the Middle East: A Dictionary by Roy Armes PDF

By Roy Armes

During this landmark dictionary, Roy Armes information the scope and variety of filmmaking around the Arab center East. directory greater than 550 characteristic motion pictures via extra than 250 filmmakers, and brief and documentary motion pictures through one other 900 filmmakers, this quantity covers the movie creation in Iraq, Jordan, Lebanon, Palestine, Syria, and the Gulf States. An creation by means of Armes locates movie and filmmaking traditions in the sector from early efforts within the silent period to state-funded productions via remoted filmmakers and politically engaged documentarians. half 1 lists biographical information regarding the filmmakers and their characteristic movies. half 2 information key function motion pictures from the nations represented. half three indexes feature-film titles in English and French with information about the director, date, and state of foundation.

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Set in the picturesque old capital city of Sana’a, the film tells a tale of passion and misunderstanding, setting the power of love against the force of tradition. Federico’s assistant Tariq falls passionately in love with his upper-class fiancée Bilquis (whom he has never met) when he sees her—unbelievably—wearing the dress he has bought her and dancing bareheaded in the street after dark. He is quite unable to cope with the totally unexpected impact of love, but, to make things worse, he is mistaken: the woman who has captured his love is in fact Ines, a humble girl without a family, who works as a managasher, applying the local variant of henna (jet-black nagsh) to other women, especially to brides.

Though itself a tightly controlled state institution, the General Establishment has offered its filmmakers considerable freedom in the films they made, even if these works have been subsequently banned or denied screenings in Syria by the state censors. Attention in the West was initially captured by two filmmakers who made their feature film debuts in the early 1980s, Samir Zikra with The Half-Metre Incident (1983) and Mohamed Malas with City Dreams (1984), followed 8 years later by The Night (1992).

The elegant Manal, walking fearlessly through the checkpoint, reduces the Israeli guards to juddering wrecks and brings the observation tower crashing down. A red balloon adorned with a cartoon of Yasser Arafat’s face is released by ES and flies triumphantly over Jerusalem, finally stroking the El Aksa mosque. In the long penultimate parody sequence, Manal appears as an avenging Palestinian ninja figure, moving with surreal grace and magically destroying a team of trainee Israeli snipers with the emblems of Palestinian national identity.

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