By Ellen Cheshire
Pocket necessities is a dynamic sequence of books which are concise, vigorous, and straightforward to learn. choked with proof in addition to specialist critiques, each one booklet has the entire key info you must learn about such renowned subject matters as movie, tv, cult fiction, background, and extra. This Pocket crucial appears at Audrey Hepburn's youth starting to be up in Holland in the course of the battle. Her early ambition for a profession as a ballet dancer gave her the poise and dignity with which she used to be eponymous, and her 40-year operating dating with the fashion designer Hubert Givenchy created the "Hepburn glance" which Hollywood movie stars are nonetheless attempting to emulate. in addition to an introductory essay, this ebook has at its middle Audrey the movie superstar, and every of her motion pictures is reviewed and analyzed, together with history info and minutiae.
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Additional resources for Audrey Hepburn (Pocket Essential series)
Having succeeded in convincing his boss, he now only has to convince the deeply philosophical Jo that fashion and modelling and a trip to Paris isn’t all bad. With the lure of Parisian intellectuals and beatnik cafes, she finally agrees to go. Once there, Dick photographs Jo all over Paris in a series of stunning gowns. The final shoot of her in a wedding dress forces the couple to recognise the shift in their relationship. But Jo still has her heart set on meeting Professor Emile Flostre (Michel Auclair).
The Fashion: Despite having negotiated the Givenchy clause in her contract, it was deemed inappropriate for Audrey to wear haute couture in the rainforest, hence all costumes were designed by Dorothy Jeakins. Audrey Hepburn wears the same simple dress throughout the film, but varies her look with a number of different hairstyles. Trivia: In 1959, Anthony Perkins was considered a hot, young, leading man. Little did anyone know that only a year later he would star in a film that would end his leading man status forever when he was cast as Norman Bates in Alfred Hitchcock’s Psycho.
Themes: The Transformation: At the beginning of the film, she wears frumpy clothes and has hair in a very unattractive style, but by the end of the film, she is wearing far more glamorous clothes. Her attitude changes alongside the physical transformation, and her relationship with a (much) older man blossoms. The Euphoric Moment: Spoiler coming up: When she sees him off at the station, she runs alongside the train, until he reaches down and swoops her up in a great moment of euphoria. The Older Man: Ariane Chevasse is supposed to be a seventeen-year-old music student (Audrey was twenty-eight).